We pick pomegranates in the early day, canvas sleeves over our arms and snapped
into place on our gloved hands that part the orbed branches. The fruit,
sometimes split, an annual feast of pith and arils. Telltale lacewings keep the thrips
from moving in, from sucking out what we will press after the haul.
You call from around the tree, say my name in the same cadence remarking how easily the harvest plucks.
We’re new to the task – How small can we go? do we toss the cracked globes? do we prune while we’re at it?
We trundle down the rows of tangled green and red, faces scratched from the backswing of branches pulled down breast high for the pick.
Time reconfigures herself, orb by orb, washing, halving, recording, pressing
till the red juices scatter, grow from a hundred repetitions six times over to where
you are orb, I am juice in the press.
Glady Ruiz tangles with an inherited dozen rosebushes that pay no heed to a poetry MFA; she recently relocated to a country home from where she commutes to her day job teaching high school science.